Joanne Lim is an artist interested in translating and visualising data collected through long-term, community-driven projects. Her practice explores how data and lived experiences can be transformed into aesthetic forms, working across a range of media to address contemporary social and political issues — particularly surveillance, hierarchy, and power.

Her work has been presented at FOST Gallery, Mirrorball (2026), ART SG (2025, 2026), From Palais to Pulau, Penang, Malaysia (2025); SOUP, Tenthaus and Critical Craft Collective, Bergen, Norway (2023); EASTEAST_Tokyo2023, Science Museum, Tokyo (2023). She is a recipient of the Winston Oh Travelogue Award in 2022, 2024, and 2025, received the inaugural Asia-wide Art Futures Award in 2023, and was nominated for the Takifuji Art Award in 2024.

Koh Kai Ting is a socially engaged multidisciplinary artist and curator whose practice spans curating, installation, moving image, printmaking, and painting.

Kai Ting’s work addresses socio-political issues through the lens of natural history, employing it as a metaphor to construct visual narratives that critique societal norms and power structures. Deeply committed to community engagement, she collaborates with various groups to reinterpret economic narratives and explore themes of desire, power dynamics, and systems of value.

She has received several notable awards, including the Malaysia Emerging Artist Award (2019) and First Prize at the UOB Painting of the Year Malaysia for Most Promising Artist (2018).

Rofi creates paintings and sculptures grounded in an ongoing interest in the human condition. In his works, the human face and figure act as vehicles for exploring issues related to identity, spirituality, society and politics. He draws out the vulnerabilities of his subjects, utilising texture and colour to reveal latent emotions beneath the surface.

He has exhibited with the Singapore Art Museum, Maya Gallery and The Substation (Singapore), as well as Agora Gallery (New York) and Galeri Chandan (Kuala Lumpur). Rofi’s works have been collected by the Singapore Art Museum, as well as various private collections internationally, including the Burger Collection.

Shayne Phua uses the medium of clay to narrate stories and cast a critical eye on everyday realities, drawing on history, myth and literature to reflect on the world around her.

Phua observes the forms and functions of utilitarian objects, using her distinctive style of ceramics to explore oral traditions, folklore, historical anecdote and socio-political ideologies. In a world increasingly flattened by social media and cultural homogenisation, her practice foregrounds the local and often overlooked.

In 2019, Phua was an Artist in Residence at Zentrum für Keramik in Berlin and Guldagergaard International Ceramic Research Center in Denmark. Most recently, she held a solo exhibition with Yeo Workshop.

Siew Guang Hong is an interdisciplinary artist. He utilises biology and anatomical investigation to propose new ways of understanding non-normative subjectivities. Using assemblage and ‘abject aesthetics’, he develops posthumanist modalities to queer autobiography and absurd obliteration.

Siew has exhibited artworks at AMP Gallery (London); Pulse Gallery (Bangkok); Richard Koh Fine Art, Art Outreach, Supper House, starch, Sculpture 2052 (Singapore), and Institute of Contemporary Art Singapore; and has performed in Singapore Art Museum.

Notably, he was the winner of the 2024 LASALLE Award for Academic Excellence, and received the Winston Oh Travelogue Award in the same year.